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Titlebook: Erotic Coleridge; Women, Love and the Anya Taylor Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2005 Coleridge.marriage.

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发表于 2025-3-21 19:31:58 | 显示全部楼层 |阅读模式
书目名称Erotic Coleridge
副标题Women, Love and the
编辑Anya Taylor
视频video
图书封面Titlebook: Erotic Coleridge; Women, Love and the  Anya Taylor Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2005 Coleridge.marriage.
描述Erotic Coleridge charts Coleridge‘s prolific creation of love poems from early flirtatious verse to poems about marital incompatibility, the blank faces of young women fearing for their reputations, the obliterating seductions of young women, the exaltation of falling in love, the spoken and sung voices of women, the pain of jealousy, and late meditations on how to live with the waning of love. In his prose he responds to Parliamentary debates about punishing adulteresses and gives advice about how marriage can warp the soul. In his sensual exuberance and his ethics of reverencing the individuality of other persons, Coleridge attends closely to the lives of women.
出版日期Book 2005
关键词Coleridge; marriage; poem; prose; Samuel Taylor Coleridge; women; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781403979179
isbn_softcover978-1-349-53115-8
isbn_ebook978-1-4039-7917-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2005
The information of publication is updating

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First Loves and Flirting Verses,ted for a female eye.” The current pair, with shiny fabric, would incur “the charge of Vanity brought against me for wearing a Looking Glass” (May 26, 1789; . 1, 5). The female eyes noticing his breeches may be those of the Evans sisters, but other girls responded to him in spontaneous meetings. May
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,“Christabel” and the Vulnerability of Girls,ir boundaries as persons, leads him to explore this region of self-forming or self-losing. Pursuing the issues in poems to women who were seduced and destroyed, he begins in 1798 a long struggle to chart these disintegrations in his “Christabel,” a poem that circles around and around the perils of y
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Divorce and the Law,ded the first two weeks of these debates. This chapter shows what the debates revealed about lordly British attitudes toward women, how Coleridge responded in print to these legal realities in the midst of his own emotional turmoil, and how these laws prevented Coleridge and Sara Hutchinson from leg
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Communities of Women: Developing as Persons,ur intermittent years living with the Morgans (1811–1813, 1814–1816), he came to love Mary Morgan and her younger unmarried sister Charlotte Brent, who also resembled Sara Hutchinson, and even to behave tempestuously with them, frightening them with his passions and his addictions. Recovering on the
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Cave and Karst Systems of Hungaryted for a female eye.” The current pair, with shiny fabric, would incur “the charge of Vanity brought against me for wearing a Looking Glass” (May 26, 1789; . 1, 5). The female eyes noticing his breeches may be those of the Evans sisters, but other girls responded to him in spontaneous meetings. May
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Analysis of Caveolin in Primary Cilia,s, writers, and hostesses whose low-cut dresses provided a fleshy vista for his moist and protruding eyes. Indeed, given the eye-catching décolletages at the Bath Fashion Museum, it is remarkable that Coleridge alone talks about breasts; we should instead wonder why the other male Romantics rarely m
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