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Titlebook: Eric Rohmer; Film as Theology Keith Tester Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limited 2008 argue.atmosphere.c

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National Symposium on Family Issuesull-length feature films that are similar in style to those in the series, although they do not fit in with any of them (., 1959; ., 1986; ., 1993; ., 1995). They might be considered ., but they remain important in Rohmer’s ..
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Bob Lingard,Wayne Martino,Martin Millsma interesting. There is no common line. There are very distinct individualities’ (Rohmer in Hammond and Pagliano 1982: 224). In a conversation about ., Rohmer turned cheapness of production into a definite virtue. He made a deliberate good out of the possibility of making movies without a large amo
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Boys and Foreign Language Learning Such long periods of gestation and preparation are not at all unique in Rohmer’s work. For example, the scenery for . was planned a year before shooting began, when Rohmer oversaw the planting of rose bushes which would be in flower at the right time the following year and be established, organic,
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,Exploring the Boys’ Literacy Land,nsists of more or less exactly the kind of films that could have been expected from Rohmer. In a 1996 interview Rohmer said, ‘My intention is to cover related topics and, without ever changing genres, to keep varying my approach’ (Rohmer 1999: 16). That is not a comment that he would have made after
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Tales of the Four Seasons: Atmosphere and Faith,nsists of more or less exactly the kind of films that could have been expected from Rohmer. In a 1996 interview Rohmer said, ‘My intention is to cover related topics and, without ever changing genres, to keep varying my approach’ (Rohmer 1999: 16). That is not a comment that he would have made after
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