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Titlebook: Epistolary Encounters in Neo-Victorian Fiction; Diaries and Letters Kym Brindle Book 2013 Palgrave Macmillan, a division of Macmillan Publi

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,Léon Eyrolles and his superior school,h intercalated letters and diaries. Yet neo-Victorian writers navigate epistolary encounters quite differently to those in Victorian fiction. Unlike the nineteenth-century trend for embedding documents to expose and explain secrets, contemporary writers tend not to emphasise uncovering of ‘truths’,
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https://doi.org/10.1007/978-1-4020-8644-1soliloquising diary or journal’.. An eighteenth-century epistolary novel also of particular significance to this study is Sophia Lee’s . (1783), the success of which, April Alliston claims, was important in establishing both Gothic and historical fiction..
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Double-Consciousness as Metaphor,the novel justifies as ‘a right to present […] truth under circumstances, […] of the writer’s own choosing or creation’.. This chapter will examine the role of letters and diaries in Byatt’s (self-?) promotion of fiction against critical theory and investigate if embedded epistolary forms are more s
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https://doi.org/10.1007/978-3-531-91214-1iscourses.. Drawing on H. Porter Abbott’s observation that it is a ‘mixture of sincerity and self-deception that governs [the diary] text’, this chapter investigates the different ways in which Waters and Pritchard manipulate epistolary expectations to creatively interrogate our critical vision of t
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https://doi.org/10.1007/978-3-658-04278-3aber’s novel comprehensively satirises nineteenth-century domestic and gendered ideology with a diarist, Agnes Rackham, who parodically distorts Coventry Patmore’s ‘angel in the house’: a staple of the Victorian novel. Both diarists record their incompatibility with Victorian society’s restraints on
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hiermit vorgelegte Monographie breit auszulegen und in Kooperation zwischen Fachwissen­ schaft und Bankpraxis zu erarbeiten. Das gemeinsame Ziel von Autoren und Heraus­ gebern ist, ein wirklichk978-3-322-84765-2978-3-322-84764-5
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