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Titlebook: Enid Blyton; A Literary Life Andrew Maunder Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Children‘s literature.Famous Fiv

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https://doi.org/10.1007/978-3-662-40265-8 routines and relationships the chapter focuses on Blyton as a writer who in the 1930s was still experimenting with fictional sub-genres. These include the stories and letters featuring fox terrier, ‘Bobs’, . (1937) which shows the emergence of Blyton as a writer of adventure stories and also her ci
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https://doi.org/10.1007/978-3-642-61157-5pter explores Enid Blyton’s war-time experiences and her contribution as a writer to the war effort. This included propaganda novels such as . (1941) and . (1940) but also escapist fare such as the detective series, the ‘Find-outers’. The chapter also examines how the war-time publishing industry op
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Reader and Shakespeare‘s Young Man Sonnets books, many of which became series—The Famous Five (Hodder and Stoughton; 1942–1963), the ‘…of Adventure’ series (Macmillan; 1943–1961), the Barney Series (Collins, 1949–1959)—helped cement Blyton’s reputation. The stories often involve the bringing to light of criminal activities while selling a s
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Eric D. Patterson,Jeffry H. Morrisonooks, her presence was also much in demand at discussions to do with education, childcare and ‘moral welfare’. This chapter examines her forays into these areas in particular focusing on the publication in 1951 of . in 1951. The chapter also looks at Blyton’s participation in the campaign against co
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https://doi.org/10.1057/9781403981721rding the topics of children and the family. This chapter considers how Blyton’s texts exhibit these interests, in particular the ways in which they engaged with the topic of gender, particularly the roles of girls and women and their place in post-war society. This chapter examines some of the less
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The Real Numbers and Real Analysis resentments this caused and the gradual decline in critical appreciation which dates from this decade. One of the most striking examples of this was the tendency for Blyton to be mocked by satirists and we examine examples of these occasions including the work of Joyce Grenfell in 1954. The chapter
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