Titlebook: English Wetlands; Spaces of nature, cu Mary Gearey,Andrew Church,Neil Ravenscroft Book 2020 The Editor(s) (if applicable) and The Author(s)

spinal-stenosis

Wetlands in Depth: The Waterscapes of Bedfordshire, North Lincolnshire and Somerset,include ‘drain and reclaim’ in support of modern state building, nature based solutions and green infrastructure, wetland grabs and green gentrification, and the importance of urban wetlands as restorative spaces for human health and wellbeing.

左右连贯

Wetlands as Literary Spaces: Off Kilter, Off Grid, Off the Wall,al in all its artistic forms such as filmmaking, music, art and storytelling. Changes in modern publishing have also enabled literature to go ‘off grid’ as well as ‘off the wall’. The chapter ends with a reflection on the key influences to our modern cultural representations of wetlands.

FLIP

RAGE

感激小女

choleretic

Wetlands as Remembrance Spaces: Contemplation, Ceremony and Commemoration,ts. These all lead us to examine aspects of heritage and legacy within wetland spaces and how they are shaped by the repurposing of space by neoliberal capitalism but also offer opportunities for a more civic commons.

Obloquy

Wetlands and Humans Across Time: An Overview,ment is inextricably linked with these diverse landscapes. Much consideration is given to the way in which scientific and policy discourses around wetlands make use of generic evaluation frameworks such as the Ramsar Convention on Wetlands and, increasingly, ecosystems services perspectives. We crit

放纵

Wetlands in Depth: The Waterscapes of Bedfordshire, North Lincolnshire and Somerset,ven of the English research locations: Shapwick Heath and Westhay Moor in the Somerset Levels, Priory and Millennium Country Parks in Bedfordshire, and Alkborough Flats in North Lincolnshire. To understand these contemporary wetlands in relation to English landscapes, the chapter undertakes a socio-

消散

Morsel

Wetlands as Literary Spaces: Off Kilter, Off Grid, Off the Wall,writing, and its current vogue as nature pilgrimage mixed with personal, often pain, memoir, has led to an abundance of accessible, and beautifully written, paeans to different English landscapes. But there is a ‘New Folk Horror’ revival too, also known as the English Eerie, providing an alterantive