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Titlebook: English Gothic Literature; Derek Brewer Textbook 1983Latest edition Macmillan Publishers Limited 1983 Chaucer.English literature.Fabliau.M

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发表于 2025-3-21 16:49:19 | 显示全部楼层 |阅读模式
书目名称English Gothic Literature
编辑Derek Brewer
视频video
丛书名称Macmillan History of Literature
图书封面Titlebook: English Gothic Literature;  Derek Brewer Textbook 1983Latest edition Macmillan Publishers Limited 1983 Chaucer.English literature.Fabliau.M
描述The centuries between 1100 and 1500 were the crucible in which English language and literature, after the blow of the Norman Conquest, were reformed with results that affected all later times. The national language and literary culture were reconstructed influences. The medieval centuries present a fascinating success story of recovery, inventiveness and major achievement in all aspects of national life..In literature, lyric verse, narrative poetry, drama and discursive prose were all established in characteristic modes. In the present book many works are discussed, while such masterpieces as the works of Chaucer, Langland‘s .Piers Plowman., the poems of the .Gawain.-poet and Malory‘s .Morte Darthur. are shown as the secular equivalent in words of the great medieval Gothic cathedrals. The forms of this varied body of literature had as characteristic a period style as contemporary Gothic art and architecture themselves. English literature may equally be described as Gothic, with assumptions and achievements which both lead to and contrast with later Neoclassical styles. Black and white photographic illustrations further the comparison and suggest some background..English Gothic lite
出版日期Textbook 1983Latest edition
关键词Chaucer; English literature; Fabliau; Medieval Literature; Middle Ages; novel; poem; prose; Renaissance; Roma
版次1
doihttps://doi.org/10.1007/978-1-349-17037-1
copyrightMacmillan Publishers Limited 1983
The information of publication is updating

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The inner life,Latin. Englishmen played their part in the sphere of Latin, and some major works in English absorbed the new themes in their own way. One of the most striking is ., ‘the rule for anchoresses’, that is, for women recluses; not at first sight a promising subject for literary treatment. But traditional
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The question of song,y and love of God in the West Midlands, to an out-of-the-way corner of a valley in summer on the south coast of England, where in the person of a poet we overhear, among the blossoms, green leaves and branches, the song of a nightingale singing so vigorously that it might have come from harp or pipe
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Piers Plowman,lands, but allies itself with all levels of English society, shows a notable interest in the poor, and rapidly moves to London and Westminster. It asks the great question that stirred men’s minds everywhere in Europe in the fourteenth century; what shall I do to be saved? A valuable side light on .
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Drama,feasts, tournaments (the medieval equivalent of modern football) and processions, have something of the drama in them and affect the drama. The drama proper has a narrower definition. First, it is an action ‘about’ something else than itself, that is, it ‘imitates’ or symbolises some other action. S
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Later religious prose,y, an education system, control of the technology required to produce writing materials, and capacity to store and utilise what is written. Prose is particularly concerned with utility, and is closely connected with the beginning of utilitarian documentation about 1200. It would be long before Engli
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Secular prose Malory and Caxton, with a discussion ‘between a lord and a clerk’. The lord urges the need of translation from Latin into English, against the clerk’s reluctance but obviously with Trevisa’s sympathy, and when the lord is asked whether he would prefer a translation in prose or verse he replies, ‘In prose, for comynli
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