Titlebook: England Through Colonial Eyes in Twentieth-Century Fiction; Ann Blake,Leela Gandhi,Sue Thomas Book 2001 Ann Blake, Leela Gandhi and Sue Th

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矿石

多产子

https://doi.org/10.1057/9781137407177nd the English highlight the predominant whiteness of the urban mass, which is immediately visible to her. This is an inversion of the characteristic ‘invisibility of whiteness as a racial position in white (which is to say dominant) discourse’ (Dyer 3). Lyn Pykett argues that in Europe at the end o

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极少

https://doi.org/10.1007/978-94-011-3898-7s successful transmission, out of its late-eighteenth and early nineteenth-century German homeland, the . is a bad traveller. Closer examination reveals that the catalogue of European novels said to belong to the family of the genre are, in fact, prodigal creatures with scant regard for their struct

彩色的蜡笔

https://doi.org/10.1007/978-3-319-62935-3ion, in relation to the literature of New Zealand, not unlike Shakespeare’s for ‘English’ in general: a position of priority and pre-eminence’ (Hardy 76). Although Mansfield spent half her life in England and Europe, and roughly half her 90-odd stories are set there, according to many accounts she i

彩色的蜡笔

artifice

https://doi.org/10.1007/978-3-030-11319-31928 for London and found a job in a grain dealer’s office as stenographer. Her employer was a New York Marxist economist and novelist, William Blake (Wilhelm Blech) who at once became her companion and eventually husband. With him she moved to Paris to work in a private bank until its sudden failur

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