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Titlebook: Engaging Words; The Culture of Readi Laurel Amtower Book 2000 Palgrave Macmillan, a division of Nature America Inc. 2000 culture.history.id

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https://doi.org/10.1007/978-1-349-62998-5culture; history; identity; Late Middle Ages; Middle Ages; society; Tradition
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Introduction,he habitually reads and contemplates the texts before her.. The picture of the medieval reader, Christine demonstrates the concerns and reactions of a medieval audience to the books that fulfilled and informed their culture. As she reads a misogynist treatise by the writer Mathéolus, whom she inform
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The Reading Public,William de Chambre, “more books than all England’s bishops combined”:.The delight to be found in simply owning books is something of a new phenomenon in the early fourteenth century. William describes the books in de Bury’s quarters as commodities, perhaps even spiritual encumbrances. But Richard de
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Authorized Readers, or, Reading Authority,Reading was imagined as a process of interiorization, through which texts are translated into the mental threads that affect ethical action and learned response. In part this dual textual aspect was the result of the scholastic reading revolution that reached its apex in the thirteenth century. The
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Textual Subjects,ore a court audience (figure 5.1). The poet stands behind a pulpit, his arms outstretched as if orating. Before him, exhibiting varying degrees of attentiveness, sit a number of fashionably dressed listeners, personifying a possible courtly “audience” for the authors works.. As Derek Pearsall has de
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Conclusion,ding “but a fewe good dedes,” the man is chagrined; when many devils appear a moment later, bearing another enormous book filled with the various sins he has committed during his lifetime, his hellish fate seems assured:
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