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Titlebook: Encounters in Performance Philosophy; Laura Cull (Senior Lecturer in Theatre Studies),Al Book 2014 Palgrave Macmillan, a division of Macmi

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‘Bodies of Knowledge’: Conceptualizing the Art of Actingpecific ‘moments’ in time when the performance arts flourished, while also undergoing important changes, at the same time as the philosophical assumptions for the very existence of the art of acting as a form of human expression and creativity were also critically and fruitfully examined.
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The Most Mimetic Animal: An Attempt to Deconstruct the Actor’s Bodyre, where the basic component is a living and speaking body. However, it is also in theatre that it confronts its greatest obstacles. This chapter is dedicated to the philosophical analysis of acting: how can acting engage and potentially change our everyday experience?
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Downscaling Lamentation: On Trope and Fratricidefect, turning the materials of lament over to the authority of music. Language does not want to let go, however, striking a compromise with music by reverting, in critical phases, to furtive expressions such as the . and the ..
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Laura Cull (Senior Lecturer in Theatre Studies),Al
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Dirk Dreher,Markus Bauer,Christian Poss first concern was thus to find somewhere to rehearse. So we approached the city council to ask for a space, any kind of space, even if only for a short period of time. And this is how we happily acquired access, albeit only briefly, to the main hall of a sociocultural centre on the outskirts of tow
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Spannungsfeld Familie und Unternehmen,pecific ‘moments’ in time when the performance arts flourished, while also undergoing important changes, at the same time as the philosophical assumptions for the very existence of the art of acting as a form of human expression and creativity were also critically and fruitfully examined.
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