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Titlebook: Empire and Culture; The French Experienc Martin Evans (Reader in Contemporary History) Book 2004 Palgrave Macmillan, a division of Macmilla

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书目名称Empire and Culture
副标题The French Experienc
编辑Martin Evans (Reader in Contemporary History)
视频video
图书封面Titlebook: Empire and Culture; The French Experienc Martin Evans (Reader in Contemporary History) Book 2004 Palgrave Macmillan, a division of Macmilla
描述By 1931, the time of the huge Colonial Exhibition in Paris, France had the second largest empire in the world extending to the four corners of the globe. Yet, intriguingly the multi-various impact of the empire upon French culture and society has been largely ignored by historians. This volume aims to redress this balance and will explore how the idea of empire was expressed in film, photography, painting and monuments. It analyzes how the image of the universal, civilising mission saturated French society during the first half of the Twentieth century. In particular it examines how the subject peoples of the empire were represented in art and fiction. In this way the volume underlines that there was not just one single image of empire but many ranging from the extreme right to the extreme left. It contains an in-depth consideration not just of the triumphalist images of empire but the oppositional ones, most notably the surrealists, which directly challenged the emergent colonial consensus.
出版日期Book 2004
关键词20; Jahrhundert; 20th century; communism; empire; France
版次1
doihttps://doi.org/10.1057/9780230000681
isbn_softcover978-1-349-41902-9
isbn_ebook978-0-230-00068-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2004
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Indigestible Indo-China: Attempts to Introduce Vietnamese Food into France in the Interwar Period metropolis had never tasted Vietnamese food, nor had any real sense of what it was, although the French had controlled Vietnam for approximately the same half-century. It took the massive waves of Vietnamese immigration after Dien Bien Phu to overcome French resistance to eating in Vietnamese resta
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‘All the World’s a Stage’, Especially in the Colonies: ,, 1902–3ch ran from 3 November 1902 to 26 February 1903, offers a remarkable case study. In many ways the Hanoi Exhibition was a mirror image of the Parisian Exhibition which followed. It served many of the same functions as its metropolitan counterpart, but always with a decidedly colonial twist. On severa
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Book 2004many ranging from the extreme right to the extreme left. It contains an in-depth consideration not just of the triumphalist images of empire but the oppositional ones, most notably the surrealists, which directly challenged the emergent colonial consensus.
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