Titlebook: Empathy Pathways; A View from Music Th Andeline dos Santos Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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Perceiving Power in Early Modern Europepter begins by discussing emotional contagion and distinguishing it from empathy. The role of emotional regulation is highlighted in terms of how a person may proceed either towards an experience of emotional contagion or empathy. The nature of affective empathy is then examined, which can be consid

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Indo-Tibetan Tantrism as Spirit Marriage,hilosophical questions of whether we can indeed know another’s mental and emotional states. Within this debate, the theory of mind (synonymous with mentalising), simulation theory, and theory theory are highlighted, as well as the direct social perception thesis and views from psychodynamic theories

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James Katz,Juliet Floyd,Katie Schiepersonal in itself, fostering a sense of validation for the client. Through experiencing the therapist’s empathy, clients may grow in their ability to identify and differentiate their emotions, accept and take ownership of them, and express and shape their emotions more clearly. Empathic concern may als

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Perception, Sense Data and Causality,ion moves of expression and response. This chapter describes how translational empathy commences through a stance of honouring opacity. We may not be able to gain access to another’s inner world. We may also need to suspend the assumption that we share the same experiential space. The importance of

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Media: The Remediation of Image and Sound,n particular, create opportunities for practising negotiating the dynamics of how to be with another in a reciprocal exchange. In demonstrating “withness,” one of the functions of translational empathy is witnessing. One holds the explorative space open in a safe and supportive way for any emotional

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f togetherness while still being separate individuals. We become aware of the emotion translation processes taking place in our interactions, exploring how we create meaning through our interaction, how parties may communicate their emotions in different ways, and that everyone involved plays a vita

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: The Cliff-Scene and the Literary Sublime, When beginning one’s engagement with this idea, one is called to a stance of acknowledging that one is always already entangled. This notion is situated within a strong relational ontology. The chapter highlights the importance of valuing humans and non-humans in relational webs. It acknowledges th