Titlebook: Emotions in Contemporary TV Series; Alberto N. García Book 2016 Palgrave Macmillan, a division of Macmillan Publishers Limited 2016 Televi

衍生

OMIT

Loss is Part of the Deal: Love, Fear and Mourning in TV Horror, . (Fox, 2004–12), . (Fox, 2005–), and . (Fox, 2013–), each offering their own variation on the hospital, detective drama and police procedural, regularly include graphic depictions of body traumas, decomposing or damaged remains, and bloody crime scenes. This has meant that many examples of TV Hor

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Apocalyptic Psychotherapy: Emotion and Identity in AMC’s ,s to both preserve and redefine different family units, such as ‘wife’, ‘mother’, and ‘brother’. Yet, rather than depicting a dystopian wasteland, . proposes a surprisingly positive apocalypse (see Boehm 130), one that uses both zombies and human survivors as uncanny figures to explore and challenge

Adrenal-Glands

Larisa Kasumagić-Kafedžić,Sara Clarke-Habibiectator engagement with characters. However, at the same time, the complexity of the questions raised by empathy has led to controversy and debate. For example, in the field of cognitive studies of films and television series, since the articulation of the first major sympathy-based theory of emotio