Titlebook: Emotions and War; Medieval to Romantic Stephanie Downes (post-doctoral fellow),Andrew Lyn Book 2015 The Editor(s) (if applicable) and The A

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Intercept

使残废

,‘Man Is a Battlefield within Himself’: Arms and the Affections in the Counsel of More, Erasmus, Vivtress the life- and spirit-enhancing potential of the study of eloquence, of the renewal of ancient wisdom through translation and commentary, and of intellectual debate and exchange in the pursuit of true piety and moral perfectibility.

orthopedist

,Remembering Civil War in Andrew Marvell’s ‘Upon Appleton House’,-war Parliamentary age. About this, Marvell is clear. From the outset he praises Fairfax’s house as a ‘sober frame’ (line 1) and not a ‘great design, in pain’ (line 5). Through such terms, ‘Upon Appleton House’ advocates forms of art that stoically govern the dangerous emotions of pity, fear, sorrow

PATHY

,‘Terrible Delight’: Art, Violence, and Power in Early Eighteenth-Century War Poems,of the battle scenes of Europe, and the men who had led and died on them. As a way of capturing the scale and the moving chaos of battle, many poets drew on ekphrastic techniques, and in particular, the popular seventeenth-century ‘advice-to-a-painter’ genre, envisaging the scenes they imagined writ

PATHY

,The Grievable Life of the War-Correspondent: The Experience of War in Henry Crabb Robinson’s Lettertacle to meet an unprecedented demand for war news.. Coinciding with the birth of the reading nation in Britain, they were able to be apprehended in intimate detail through the daily papers, journals, prints, panoramas, and theatre. The wars established many of the patterns by which modern war conti

sinoatrial-node

Afterword: Locating Emotions, Locating Wars,drama. For Homer, mapping the world of emotion means mapping a world at war. Rage invites us into the all-encompassing world of epic warfare — its causes, its course, and its disastrous consequences. Like war, and inextricably bound to it, the emotion of rage in . both composes and shreds the map of

象形文字

Harridan

Weiblichkeitsbilder in der DDR,s moral questions for contemporary observers. The absence of peace and the advent of war could be construed as a direct result of emotional excess (envy, pride), while military successes and failures could be shown as both reflecting and bringing forth emotional crises on the part of participants. H