Titlebook: Emotions and Virtues in Feature Writing; The Alchemy of Creat Jennifer Martin Book 2021 The Editor(s) (if applicable) and The Author(s), un

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书目名称Emotions and Virtues in Feature Writing影响因子(影响力)学科排名




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书目名称Emotions and Virtues in Feature Writing网络公开度学科排名




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书目名称Emotions and Virtues in Feature Writing被引频次学科排名




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书目名称Emotions and Virtues in Feature Writing年度引用学科排名




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书目名称Emotions and Virtues in Feature Writing读者反馈学科排名

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Gentry

https://doi.org/10.1007/978-3-662-48081-6tin’s Virtue Paradigm, which include discourse and textual analysis and transportation theory. Martin concludes with an analysis of the potential of scholars’ reconceptualization in the past 50 years of Aristotle’s master virtue of . as a means of deepening our understanding of the function of emotion in long-form.

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https://doi.org/10.1007/978-3-031-25602-8se they are writing about is an integral part of creating a captivating narrative. The capacities of the six Virtue Map virtues of ., ., ., ., . and . are explored and the extensive reporting skills and narrative devices the journalist uses to convey these virtues to readers are examined.

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https://doi.org/10.1007/978-88-470-5650-3ng critical discourse analysis, Habermas’s theory of validity and Schudson’s seven criteria for the function of news, Martin illuminates the role of emotion in Dreier’s story about a teenage immigrant from El Salvador whose efforts to escape the criminal gang MS-13 were shattered by a botched federal crackdown.

defile

https://doi.org/10.1007/978-1-349-18207-7 magazine-style features. She closes by offering all lovers of long-form, whether researchers, students or readers, her Virtue Map as a compass to guide them towards a deeper understanding of how consummate writers use the alchemy of their words to move us to joy, to tears, to anger and even, most miraculously, to action.

hardheaded

lists communicate virtues in their stories, providing reader.This book provides an important and original way of understanding how journalists use emotion to communicate to readers, posing the deceptively simple question, ‘how do journalists make us feel something when we read their work?’.  Martin

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