Titlebook: Emotion and the Contemporary Museum; Development of a Geo Candice P. Boyd,Rachel Hughes Book 2020 The Editor(s) (if applicable) and The Aut

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Stephen White MD,Albert Pearsall MDsearch project that used a drawing method to better understand first-time visitor experiences of Rome’s . (Museum of the Mind). Their analysis of more than sixty drawings produced across two workshops garners insights about the museum’s novel and technologically-sophisticated exhibits as well as reflections on the drawing method itself.

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Exhibiting with Emotion,e in the design and staging of exhibitions. The chapter concludes provocatively with a call for a new interdisciplinary conversation between museology/museum studies and cultural geography to assist in ‘bridging the gap’ between curating with emotion and evaluating emotion in the contemporary museum context.

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A. Cereatti,F. R. Ripani,F. Margheritinie become increasingly performative in what they do. From this base, they argue that non-representational theory in cultural geography provides a useful framework for theorising the work of the contemporary museum.