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Titlebook: Emily Dickinson‘s Readings Of Men And Books; Sacred Soundings Benjamin Lease Book 1990 Palgrave Macmillan, a division of Macmillan Publishe

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https://doi.org/10.1007/978-1-349-20956-9history of literature; literature; nineteenth century; poetics; poetry; reading; sound
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Singing Off Charnel Steps: Lessons for a Preceptor,hildhood on.. A hymn by Watts titled ‘Holy Fortitude; or, The Christian Soldier’ includes stanzas that provide an answer to an opening question (‘Am I a soldier of the cross?’):.Watts’s hymn is listed, in the ‘New Index of Subjects’ prepared for the 1834 edition owned by Edward Dickinson, under the heading: ‘., spiritual.’
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https://doi.org/10.1007/978-1-4842-3255-2y intensified, in 1955, when there came to light the drafts of three letters addressed by the poet to someone she calls ‘Master’.. Who was this ‘Master’ — and what part did this person play in the ‘terror’ that she mentioned to Higginson? Can Dickinson’s emotional crisis be linked to the terrible war engulfing the nation during this period?
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Building Database Applications with JDBC,hildhood on.. A hymn by Watts titled ‘Holy Fortitude; or, The Christian Soldier’ includes stanzas that provide an answer to an opening question (‘Am I a soldier of the cross?’):.Watts’s hymn is listed, in the ‘New Index of Subjects’ prepared for the 1834 edition owned by Edward Dickinson, under the heading: ‘., spiritual.’
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A Minister in Exile: A Minister Remembered,son for that terror, unspecified in Dickinson’s letter and never explained elsewhere, has been the subject of endless speculation — speculation greatly intensified, in 1955, when there came to light the drafts of three letters addressed by the poet to someone she calls ‘Master’.. Who was this ‘Maste
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Singing Off Charnel Steps: Lessons for a Preceptor,Watts. The martial imagery prevalent in Dickinson’s poems, early and late, was a pervasive presence in the Bible and in Watts — familiar to her from childhood on.. A hymn by Watts titled ‘Holy Fortitude; or, The Christian Soldier’ includes stanzas that provide an answer to an opening question (‘Am I
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,Nature’s Haunted House: ‘Called Back’,nformed her Preceptor that ‘the “supernatural,” was only the Natural, disclosed — ’; that ‘Not “Revelation” — ’tis — that waits,/but our unfurnished eyes — ’ (L280) An intense awareness of the relationship between the supernatural and the natural pervades Dickinson’s poetry. She found in Higginson a
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