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Titlebook: Embodying Difference; Critical Phenomenolo Simon Dickel Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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Blindness and Perception, and related to three narrative films, Guy Green’s A Patch of Blue (1965), Jim Jarmusch’s Night on Earth (1991), and Sheri Hagen’s Auf den Zweiten Blick (2012). All of them address what Linda Martín Alcoff calls “racial seeing” by organizing their narratives around the relation between blindness and blackness.
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Gayness and Invisibility,envision protagonists that are subjugated by normative orders. Whereas . suggests complete determination by homonegativity, . offers the potential of a struggle for recognition and the cultivation of differences.
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y.Addresses the role of the body and lived experience in tex.This book explores how phenomenological ideas about embodiment, perception, and lived experience are discussed within disability studies, critical race theory, and queer studies. Building on these disciplines, it offers readings of memoirs
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Book 2022ce theory, and queer studies. Building on these disciplines, it offers readings of memoirs and novels that address the consequences of stigmatization and the bodily dimensions of social differences. The texts include Robert F. Murphy’s .The Body Silent., Simi Linton’s .My Body Politic., Rod Michalko
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https://doi.org/10.1007/978-3-322-84878-9 of difference. This chapter continues with an overview over the four chapters of the book, which consist of analyses of memoirs, novels, and films that address embodiment and perception in relation to the topics of paraplegia, blindness, blackness, gayness, and dwarfism.
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Introduction, of difference. This chapter continues with an overview over the four chapters of the book, which consist of analyses of memoirs, novels, and films that address embodiment and perception in relation to the topics of paraplegia, blindness, blackness, gayness, and dwarfism.
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