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Titlebook: Embodied Human–Computer Interaction in Vocal Music Performance; Franziska Baumann Book 2023 The Editor(s) (if applicable) and The Author(s

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发表于 2025-3-21 17:34:25 | 显示全部楼层 |阅读模式
书目名称Embodied Human–Computer Interaction in Vocal Music Performance
编辑Franziska Baumann
视频videohttp://file.papertrans.cn/309/308003/308003.mp4
概述Offers practice-oriented insight into embodied HCI in live music performance with emphasis on voice.This approach is a valuable mix of phenomenology and artistic research.Explores a creative framework
丛书名称Springer Series on Cultural Computing
图书封面Titlebook: Embodied Human–Computer Interaction in Vocal Music Performance; Franziska Baumann Book 2023 The Editor(s) (if applicable) and The Author(s
描述.This SpringerBrief provides a unique insight into the practice and research of the connections between voice, HCI and embodiment. Specifically, it explores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creative practices between humans and computers in gestural live music performance, from the perspective of the embodied relationships created within such systems. Underlying practices, principles and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance are examined and a dynamic framework and tools for anyone wishing to engage with this subject in depth are presented...The book is essential reading not only for musicians, composers, researchers, application developers,musicologists and educators but also for students and tertiary institutions as well as actors and dramaturgs in a music context. .
出版日期Book 2023
关键词Embodied Human-Computer Interaction in Live Music Performance; Mediated Voice; Creative Computing; Gest
版次1
doihttps://doi.org/10.1007/978-3-031-17985-3
isbn_softcover978-3-031-17984-6
isbn_ebook978-3-031-17985-3Series ISSN 2195-9056 Series E-ISSN 2195-9064
issn_series 2195-9056
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 21:41:40 | 显示全部楼层
Book 2023ng not only for musicians, composers, researchers, application developers,musicologists and educators but also for students and tertiary institutions as well as actors and dramaturgs in a music context. .
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Qingrui Yin,Binghe Zhu,Huarong Zengsona references each describe a significant area of the voice in electroacoustic music and thus the mediated voice. Through analysing some examples, this chapter will illuminate the nature of the mediated voice using insight from listening examples and practice-based research.
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Book 2023plores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creativ
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Microstructure of World Trading Marketsfor music-making. I apply the concept of Denis Smalley’s . and Schaeffer’s . to outline extrinsic and intrinsic vocal qualities. The final section explains how . helps us to understand the creative potential of the abstract vocal terrain as a precondition for the mediated voice.
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