Titlebook: Elizabeth Spencer‘s Complicated Cartographies; Reimagining Home, th Catherine Seltzer Book 2009 Palgrave Macmillan, a division of Nature Am

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2634-579X ion with the southern canon as they question its boundaries and remap the long-established landscapes of southern identity.978-1-349-38057-2978-0-230-62339-2Series ISSN 2634-579X Series E-ISSN 2634-5803

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Introduction Backward Glances and Forward Thinking: Reconsidering Elizabeth Spencer,t work we read in the course, and, to my mind, it functioned as an improbably tidy capstone for the semester that had preceded it: although a relatively short piece, “First Dark” seemed the perfect embodiment of the conventions of southern literature that we had been chronicling. The story is center

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,“A Sure Terrain”: Spencer’s Mississippi Novels,eader’s attention to Spencer’s complex and independent female protagonists. Indeed, Spencer’s literary reputation has been defined in large part by characters who display the same powerful will evinced in Frances Harvey in “First Dark”: we might think of Teresa Stubblefield, whose timidity hides a p

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Exploding the Can(n)on: ,While each successive novel is stamped more deeply with Spencer’s characteristic subtlety and wit, each of the novels— . (1948), . (1952), and . (1956)—probes familiar territory, that is staked out by Faulkner and circumscribed by the Fugitive-Agrarians. With Spencer’s next major project, . (1960),

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Inhabiting the Unhomely Moment in ,ined in a 1981 interview, her experiences in Italy led her to believe that “it would be exciting to be a roving spirit in one’s work instead of a fixed planet” (J. Jones 91). As a result, Spencer’s next three major novels, . (1967), . (1972), and . (1984), speak to her desire to further challenge th

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Book 2005ng-term datasets on the floristics and phenological rhythms of their study sites, identifying important seed dispersers and key plant taxa that sustain animal communities in Africa, Madagascar, Australasia, and the Neotropics.

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