Titlebook: Electronic Literature in Latin America; From Text to Hyperte Claire Taylor Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 E

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From Text to Hypertext: Electronic Literature in Latin America,n scrutinises the relationship between digital culture studies and cultural studies, and advocates for a critical digital culture studies, which involves a potential recuperation of the leftist underpinnings of cultural studies. In so doing, the introduction posits a three-fold approach, combining .

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,Foregrounding Fragments and Gaps: Marina Zerbarini’s , (2004) (Argentina),its from the short stories of James Joyce. It elucidates Zerbarini’s creation of technologically enabled gaps, her adoption of Joyce’s technique of unresolved endings, and her engagement with stream of consciousness, whilst also demonstrating the way she troubles these techniques. The chapter also r

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,Reanimating the Whodunnit: Jaime Alejandro Rodríguez’s , (2006) (Colombia),ts within this work. Firstly, a surrealist heritage is evoked through allusions to the . indicating a long tradition of experimental, ludic practice that informs this work in terms of its structure and procedure. Secondly, the whodunnit genre is invoked in terms of plot and characterisation. The cha

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,Twitter Poetry and Rethinking the Aphorism: Eduardo Navas’s , (2011 to date) (US-El Salvador),rno’s .. The chapter demonstrates how the various levels of remixing of Adorno’s text create new interpretations of the original for the twenty-first century. It reveals how, where Adorno’s book scrutinised social practices and institutions of the era of bourgeois, statist capitalism, Navas’s remix

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,Critiquing Web Structure and Online Social Capital: Doménico Chiappe’s , (2013–2015),understand the networked functioning of the internet and to question the commodification of the online self. Firstly, the chapter analyses the locale, arguing that Chiappe’s narrative structure, situating the reader as investigator in the labyrinthine structure of the hotel, draws parallels between

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Conclusion, through to visualisations and many more, in their creation of hybrid digital genres. They engage in a range of literary and experimental practices, pushing the boundaries of existing literary genres and norms, all the while dialoguing with their print literary predecessors. The Conclusion also rein

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https://doi.org/10.1007/978-3-030-30988-6Electronic Literature; Latin American Cyberculture; Latin American Literature; Latin American Cultural

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978-3-030-30990-9The Editor(s) (if applicable) and The Author(s) 2019