Titlebook: Eighteenth-Century Women‘s Writing and the ‘Scandalous Memoir‘; Caroline Breashears Book 2016 The Editor(s) (if applicable) and The Author

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Mystic

The Business of Pleasure: The Life Writings of Lady Vane and Madame de La Touche,sly noted the innovations of Teresia Constantia Phillips’s . (1748–1749) and Laetitia Pilkington’s . (1748–1754). I highlight the contributions of two friends whose life writings preceded, intersected with, and departed from these memoirs. One was Madame de La Touche, whose short . (1736) circulated

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Novel Memoirs: , and ,,xperiment that led to innovations in both the novel and the “scandalous memoir.” By situating her memoirs within a picaresque novel, Lady Vane surrounds her tale with evidence that her trials reflect universal struggles. By echoing Lady Vane’s narrative in his novel’s plot, Smollett affirms the diff

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,The Family, Sex, and Scandal: Catherine Jemmat’s ,,s well as cruel husbands and lovers. This change reflects a transition in the concept of the family, with kinship priorities gradually shifting from consanguineal to conjugal families. The corresponding change in the female appeal memoir begins with . (1762). Jemmat frames her tale as a doomed quest

Lipoma

,“My Country is the World!” Margaret Coghlan’s Revolutionary ,,e that she made a significant contribution to this subgenre. While previous women had alluded to politicians and national issues in their appeal memoirs, Coghlan integrates anecdotes and partisan commentary about both the American and French Revolutions into the structure of the subgenre, creating a

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漂亮

Eighteenth-Century Women‘s Writing and the ‘Scandalous Memoir‘978-3-319-48655-0

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