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Titlebook: Eighteenth-Century Vitalism; Bodies, Culture, Pol Catherine Packham Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limite

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https://doi.org/10.1007/978-3-8349-8632-0 of his ‘native Sky’ and his painful, weary inhabiting of ‘this poor Clod’, an experience of dislocation which prompts a continual, uneasy and unrealisable desire. Man is a thoughtless wanderer on the road of his life, unattentive to his eventual end, longing to raise himself on ‘Wings of Love and P
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https://doi.org/10.1057/9780230368392culture; English literature; poetry; Romanticism; British and Irish Literature
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978-1-349-32507-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2012
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https://doi.org/10.1007/978-3-531-90288-3 is usually associated with Romantic theories of nature. It is often connected with particular perceptions of nature: as possessing independent powers of animation and self-direction, vital energies of self-generation and the ability to take actions — whether an unconscious muscular response in an a
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https://doi.org/10.1007/978-3-8349-6181-5ided incontrovertible evidence of the blind poet’s laudable ‘sensibility’: his taste, poetic discrimination and social sensitivity. A very different bodily activity (or lack of it) focuses Mary Wollstonecraft’s depiction, in chapter 3 of her . (1792), of a woman whose purported sensibility connotes
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,Die Schranken der Rechtsausübung,ned concerns. Identified with a simplicity which the work’s near-thousand pages belies, . answers the question its title poses in its very first sentence, but in such a way as to suggest the need for the two volumes of further analysis which await the reader. On his opening page, Smith defines the n
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