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Titlebook: Eighteenth-Century Literary Affections; Louise Joy Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 affect.history of emotio

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书目名称Eighteenth-Century Literary Affections
编辑Louise Joy
视频video
概述Helps to define the affective vocabulary of the eighteenth-century.Brings marginalized works, especially by women writers, alongside canonical texts.Suggests a line of continuity between eighteenth-ce
丛书名称Palgrave Studies in Affect Theory and Literary Criticism
图书封面Titlebook: Eighteenth-Century Literary Affections;  Louise Joy Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 affect.history of emotio
描述.This book assesses the mediating role played by ‘affections‘ in eighteenth-century contestations about reason and passion, questioning their availability and desirability outside textual form. It examines the formulation and idealization of this affective category in works by Isaac Watts, Lord Shaftesbury, Mary Hays, William Godwin, Helen Maria Williams, and William Wordsworth. Part I outlines how affections are invested with utopian potential in theology, moral philosophy, and criticism, re-imagining what it might mean to know emotion. Part II considers attempts of writers at the end of the period to draw affections into literature as a means of negotiating a middle way between realism and idealism, expressivism and didacticism, particularity and abstraction, subjectivity and objectivity, femininity and masculinity, radicalism and conservatism, and the foreign and the domestic. .
出版日期Book 2020
关键词affect; history of emotions; William Wordsworth; affections; femininity; realism; passion; emotion; romantic
版次1
doihttps://doi.org/10.1007/978-3-030-46008-2
isbn_softcover978-3-030-46010-5
isbn_ebook978-3-030-46008-2Series ISSN 2634-6311 Series E-ISSN 2634-632X
issn_series 2634-6311
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
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Novel Feelings The obstacle that both struggled to overcome is that the object of philosophical enquiry is emotions as they are presented externally (objective emotions), which ignores, or even denies, the relevance of emotions as they are experienced internally (subjective feelings). The discussion explores how
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Translated Emotionsholds conservative standards of feminine morality. When Williams translates Jean-Jacques Rousseau’s . and Bernardin de Saint-Pierre’s ., her overhaul of the categories of emotions that these works handle significantly alters the gender paradigms that they put forward. This chapter shows that William
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https://doi.org/10.1007/978-3-662-00284-1ions), which ignores, or even denies, the relevance of emotions as they are experienced internally (subjective feelings). The discussion explores how both writers lit upon the novel as a vehicle that afforded new possibilities for playing out their philosophical puzzlings about the proper place of the emotions.
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