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Titlebook: Edward Bond; David L. Hirst Textbook 1985Latest edition David L. Hirst 1985 Britain.contemporary literature.history of literature.literatu

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发表于 2025-3-21 16:08:43 | 显示全部楼层 |阅读模式
书目名称Edward Bond
编辑David L. Hirst
视频video
丛书名称Modern Dramatists
图书封面Titlebook: Edward Bond;  David L. Hirst Textbook 1985Latest edition David L. Hirst 1985 Britain.contemporary literature.history of literature.literatu
出版日期Textbook 1985Latest edition
关键词Britain; contemporary literature; history of literature; literature; twentieth century; British and Irish
版次1
doihttps://doi.org/10.1007/978-1-349-17983-1
copyrightDavid L. Hirst 1985
The information of publication is updating

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发表于 2025-3-21 21:21:46 | 显示全部楼层
Theatres, Actors and Audiences,mmitted non-commercial dramatist, but Bond’s relationship with the London theatrical scene is unique. He has seen his works performed at the Old Vic, The Royal Opera House and the National Theatre. His attitude is quite different from that of John Arden whose theatrical career has led him to work wi
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Diabolonian Ethics, Techniques of Subversion, by the Lord Chamberlain — and it does not advocate the cause of revolution as his later plays have done, it is in some respects an even more disturbing and challenging drama. This is because of the uncompromising presentation of the action through a sharply realistic style which exposes the more ac
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,CRM — So können auch Sie profitieren,and demand new patterns of thought, more rational methods of organising society. There is a third area of Bond’s work which is more radical: it presents an even more savage picture of abuse and irrationality and in turn suggests more precise answers to the problems dramatised.
发表于 2025-3-22 21:45:28 | 显示全部楼层
Epic Theatre: Dramatising the Analysis,and demand new patterns of thought, more rational methods of organising society. There is a third area of Bond’s work which is more radical: it presents an even more savage picture of abuse and irrationality and in turn suggests more precise answers to the problems dramatised.
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