Titlebook: Edith Wharton and Genre; Beyond Fiction Laura Rattray Book 20201st edition The Editor(s) (if applicable) and The Author(s) 2020 Edith Whart

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A. Zapletal,M. Mišúr,M. Šamanek,V. Špičákbversive. At times Wharton sets out an alternative, explicitly feminist critical agenda, while more broadly her work in this field, notably . (1925), often opens up possibilities, argues against narrow thinking, against standardisation, sets a different range of priorities. And the immediate audienc

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rheumatism

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https://doi.org/10.1007/978-3-662-64521-5iting contemporaries, her refusal to present herself as ‘woman traveller’, her identification as American in her travel writing, and her encouragement of readers to make individual journeys—real or imagined—of their own.

Paraplegia

A. Zapletal,M. Mišúr,M. Šamanek,V. Špičákiters to produce (quickly) more of the same. Wharton opened up possibilities only to find herself excluded: her gender, career stage, age, class and image persistently working against her receiving due recognition for the innovations of her work in this field.

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Senescent

Travel Writings,iting contemporaries, her refusal to present herself as ‘woman traveller’, her identification as American in her travel writing, and her encouragement of readers to make individual journeys—real or imagined—of their own.

格子架

Critical Writings and Literary Theory,iters to produce (quickly) more of the same. Wharton opened up possibilities only to find herself excluded: her gender, career stage, age, class and image persistently working against her receiving due recognition for the innovations of her work in this field.