Titlebook: Echo and Meaning on Early Modern English Stages; Susan L. Anderson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 sound st

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Conclusion: Disenchanted Echoes in , and ,,poetic, literary and family precedent. Anderson argues that echo provides the opportunity for a specifically feminised intervention in masculinist literary genealogies, and that Echo is, simultaneously, a woman speaking and a woman silenced, and can stand in for both.

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2946-5133 eractions between sound, meaning, and historical context.Inc.This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print. Focusing on examples where Echo herself appears as a charac

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978-3-319-88522-3The Editor(s) (if applicable) and The Author(s) 2018

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Echo and Meaning on Early Modern English Stages978-3-319-67970-9Series ISSN 2946-5133 Series E-ISSN 2946-5141

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J. D. Lock,I. McLeod,G. J. Smithent levels of echoic meaning, including musical repetitions, verbal alterations, intertextual references and textual revisions. This chapter draws attention to variations between early modern translations of Ovid’s version of Echo’s origin myth and within different editions of Golding’s translation

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