Titlebook: Early Modern Tragedy and the Cinema of Violence; Stevie Simkin Book 2006 Stevie Simkin 2006 cinema.culture.drama.film.gender.oral discours

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类似思想

hose with an interest in either drama or film, written in an engaging style, the book also reconsiders the high /popular culture divide, and reflects on the enduring significance of the revenge motif in Western culture over the past four hundred years, particularly in the post 9/11 context.978-1-349-52239-2978-0-230-59711-2

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ffers a series of provocative explorations of death, revenge and justice, and gender and violence. What happens when we connect The White Devil with Basic Instinct ? The Changeling or Titus Andronicus with Straw Dogs ? Doctor Faustus with Se7en ? Taxi Driver with The Spanish Tragedy ? Appealing to t

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Introduction: Worlds Aparthe angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.’.Walter Benjamin, .

哀求

Introduction: Worlds Apartare staring, his mouth is open, his wings are spread. This is how one perceives the angel of history. His face is towards the past. Where we perceive a chain of events, he sees one catastrophe, which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay,

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Introduction: ‘Don’t Get Mad, Get Even’e of them reportedly asked him for five dollars. When Goetz asked the questioner, Troy Canty, to repeat himself, he was told to hand over his money. Goetz responded by standing up, drawing a concealed revolver, and shooting and wounding Canty and his three associates. When the train came to a stop a