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Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T

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发表于 2025-3-21 19:30:07 | 显示全部楼层 |阅读模式
书目名称Early Modern Diplomacy, Theatre and Soft Power
副标题The Making of Peace
编辑Nathalie Rivère de Carles
视频video
概述The book examines the discussion of diplomacy and soft power in the plays of Shakespeare and Cervantes and their English, French, Italian and German contemporaries..It provides an international cross-
丛书名称Early Modern Literature in History
图书封面Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T
描述This book explores the secret relations between theatre and diplomacy from the Tudors to the Treaty of Westphalia. It offers an original insight into the art of diplomacy in the 1580-1655 period through the prism of literature, theatre and material history..Contributors investigate English, Italian and German plays of Renaissance theoretical texts on diplomacy, lifting the veil on the intimate relations between ambassadors and the artistic world and on theatre as an unexpected instrument of ‘soft power‘. The volume offers new approaches to understanding Early Modern diplomacy, which was a source of inspiration for Renaissance drama for Shakespeare and his European contemporaries, and contributed to fashion the aesthetic and the political ideas and practice of the Renaissance. .
出版日期Book 2016
关键词Shakespeare; Renaissance art; Geopolitics; Early Modern drama; European drama; British and Irish Literatu
版次1
doihttps://doi.org/10.1057/978-1-137-43693-1
isbn_ebook978-1-137-43693-1Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Springer Fachmedien Wiesbaden GmbHe contemporary playwrights’ political philosophy. The tensions on the world stage are reflected on the theatrical stage. .’., and its English version ., show the diplomat closer in spirit to the dramatists who expose the mechanisms of contemporary power games than to its rulers.
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Springer Fachmedien Wiesbaden GmbH the smaller duchies and cities of Protestant Silesia. I then turn to one of the . about which Benjamin wrote, Gryphius’ ., . (., ., 1647/1655) and read it as a commentary on the costs not of the war, but of the Westphalian peace negotiations as they played themselves out on Silesian ground.
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14th International Probabilistic Workshopenalties are severe, peace-making requires a more contemplative and timeless venue that facilitates shared wonder. Paulina’s gallery, with its rare sculpture by master artist Giulio Romano, is just such a venue. Culturally, the gallery was gendered masculine (a place for male connoisseurs to gather
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https://doi.org/10.1007/978-3-322-96643-8s at court, but they also met in informal marginal places such as gardens, parks, private houses and, on occasion, in an informal manner in the Presence Chamber. From an exploration of early modern diplomatic relations, we can identify the types of non-residential spaces of diplomatic exchanges and,
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