Titlebook: Early Modern Authorship and Prose Continuations; Adaptation and Owner Natasha Simonova Book 2015 Palgrave Macmillan, a division of Macmilla

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Conclusion: The Fall of the Sequel,d development for both prose fiction and the literature industry within which these works appeared. It has examined the contexts shaping the composition of continuations, as well as the available evidence for how they were presented and received. By focusing on texts continued by more than one write

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https://doi.org/10.1007/978-3-658-07674-0 apology. While many of the images used are conventional in Renaissance discussions of imitation, they take on additional valences by being applied to this particular form of inter-textuality. These para textual frames therefore constitute an important source of evidence about Early Modern attitudes

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100 Minuten für Konfigurationsmanagementy’s text. By the Restoration, such an association no longer seems to have been possible, with the relationship between ‘original’ authors and continuators instead becoming one of commercial and moral competition. This more antagonistic dynamic comes to a head in the career of Samuel Richardson, who