Titlebook: E. M. Forster: Centenary Revaluations; Judith Scherer Herz,Robert K. Martin Book 1982 Judith Scherer Herz and Robert K. Martin 1982 evalua

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,Schlußfolgerungen und Ausblick,tment so intensely felt that it robs its characters of charity and its symbolic devices of depth’, and hence ‘simply falls short of art’.. For him, ‘. at best is personal therapy, at least a fumbling insight into a tortured soul. But is this enough? When one turns to our original question, “Has Fors

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Mechanics

Uwe-Peter Egger,Peter Gronemeier‘Let there be those “formidable erosions of contour” of which Nietzsche speaks’.

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Palpable

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and Literary History‘Let there be those “formidable erosions of contour” of which Nietzsche speaks’.

Overstate

The Advance Beyond Daintiness: Voice and Myth in Behind the rather cozy domesticity of . lies a full-scale attempt on Forster’s part to create an English myth. His preoccupation with this idea is evident when the narrative voice muses:

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: The Dominant Voice. moves toward catastrophe and symbolic revelation with the visit of two English ladies and their Indian host to the famous Marabar Caves. As Mrs Moore, Adela Quested, Aziz, and their entourage of servants enter the first cave, Forster describes their passage: