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Titlebook: Drones in Society; New Visual Aesthetic Elisa Serafinelli Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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发表于 2025-3-21 17:16:32 | 显示全部楼层 |阅读模式
书目名称Drones in Society
副标题New Visual Aesthetic
编辑Elisa Serafinelli
视频video
概述Extends current theoretical understandings of digital culture and society.Includes concise, clear and constructive academic contributions.Provides a multi and interdisciplinary approach
丛书名称Social Visualities
图书封面Titlebook: Drones in Society; New Visual Aesthetic Elisa Serafinelli Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licens
描述.This book explores the evolving world of drones through a multifaceted lens, revealing their profound impact on society and visual culture. The comprehensive collection bridges the gap between technology and aesthetics, dissecting the transformative role drones play in various domains, from cinema and art to surveillance and environmental sensing. Each chapter, penned by leading scholars, explores the unique ways drones are redefining our visual landscape, whether in capturing unprecedented cinematic shots, aiding in critical rescue missions, or offering new perspectives in artistic endeavours...The book is an essential read for academics, professionals, and enthusiasts alike, and is a key resource for anyone seeking to comprehend the full spectrum of drone capabilities and their implications for the future of visual communication and technology...Chapter 2 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com..
出版日期Book 2024
关键词Digital art; Visual media; New technologies; Digital culture and society; Drone aesthetics
版次1
doihttps://doi.org/10.1007/978-3-031-56984-5
isbn_softcover978-3-031-56986-9
isbn_ebook978-3-031-56984-5Series ISSN 2731-4626 Series E-ISSN 2731-4634
issn_series 2731-4626
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monstersigh camera position by evoking the movement of disembodied military technology, here re-embodied as a non-human predator. Sabeen Ahmed (.(2), 382–410, 2018) argues that the phenomenological experience of living under drone warfare is one of a ‘space of death’; following Ahmed, we argue that the mobi
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Consumer Drone Warfare: Practices, Aesthetics and Discourses of Consumer Drones in the Russo-Ukrainiequently—our day-to-day lives. We posit that the intimate depictions of violence produced by consumer drones serve (at least) two functions: they allow a besieged state to perform (aerial) sovereignty while eliciting support for the war effort at the same time, for example through crowdfunding schem
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The Tourist Drone: Commercial Visions and Practical Considerationszed” with handheld cameras, places now become “dronisized” in the vertical and horizontal exploration by flying camera. “Seeing the world as a picture” transforms into “seeing the world as a parkour” in FPV drone videography. The chapter concludes with considerations for future research as well as t
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