Titlebook: Drafty Houses in Forster, Eliot and Woolf ; Spatiality and Cultu Ria Banerjee Book 2024 The Editor(s) (if applicable) and The Author(s), un

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r hatred of propaganda means that her oeuvre as a whole is more like a lumber room of ideas and impressions instead of a perfectly airtight house. Eliot strains to lead readers to correct conclusions about modern life and the role of faith but his discipline as a poet demands avoiding declarative st

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2578-9694 ng of these writers who tend to be discounted as politically.This book argues that E. M. Forster, T. S. Eliot, and Virginia Woolf  engaged sustainedly with real and imagined places as sites of counter-cultural politics. These writers used architectural images in diaries, essays, novels, poems, and p

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Drafty Houses in Forster, Eliot and Woolf 978-3-031-54931-1Series ISSN 2578-9694 Series E-ISSN 2634-5188

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Ria BanerjeeArgues that modernist authors used spatial metaphors to open up sites of political intervention and resistance.Provides an alternative reading of these writers who tend to be discounted as politically

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Geocriticism and Spatial Literary Studieshttp://image.papertrans.cn/e/image/284822.jpg

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Reprocessing of Spent Nuclear Fuels,al. This assertion might sound arbitrary since Eliot went on to write four more plays that were drawing-room dramas and used staging and set design intentionally in them to perform what I call “exit scenes,” spiritual awakenings rendered in dramatic vocabulary. However, the scenes and exits from the