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Titlebook: Dynamics of the Singing Voice; Meribeth A. Bunch Textbook 19974th edition Springer-Verlag Wien 1997 anatomy.breathing.core singing.human e

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发表于 2025-3-21 19:05:27 | 显示全部楼层 |阅读模式
书目名称Dynamics of the Singing Voice
编辑Meribeth A. Bunch
视频video
图书封面Titlebook: Dynamics of the Singing Voice;  Meribeth A. Bunch Textbook 19974th edition Springer-Verlag Wien 1997 anatomy.breathing.core singing.human e
描述Every discipline tends to develop its own particular language and ways of communicating. This is true also about the various disciplines that talk about and describe the human voice - particularly as it relates to singing. The aim of this book is to bridge any gaps in communication, foster better understanding of the singing voice and encourage collaboration between those involved in performance, teaching, therapy and medicine. Because there is increasing interest in research in all these disciplines, creating a "common ground" for communication about the singing voice is essential for mutual understanding and for effective prevention and treatment of disorders in singers. One object for the artistic and scientific professions is to understand each other better by finding a vocabulary and terminology which they can share and use effectively. Difficulty in communication often arises when a singer or teacher of singing attempts to describe something sensory in nature by use of imagery and sign-language to non-singers, including the health and medical profes­ sions; and, in the same way, the use of obscure and sometimes frightening terminology by those in the medical sciences when off
出版日期Textbook 19974th edition
关键词anatomy; breathing; core singing; human energy field; nutrition; phonation; physiology; prevention; resonati
版次4
doihttps://doi.org/10.1007/978-3-7091-3691-1
isbn_ebook978-3-7091-3691-1
copyrightSpringer-Verlag Wien 1997
The information of publication is updating

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发表于 2025-3-21 22:32:14 | 显示全部楼层
https://doi.org/10.1007/978-1-4471-6639-9ts to define empirically the perceptual aspects; as a consequence vocal pedagogy sometimes borders on the chaotic. So, to borrow a phrase from Gilbert and Sullivan, the purpose of this book is to redress the “.” with the objective of providing a more orderly basis for understanding the processes of singing.
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Phonation,iscussion of the structure and function of the larynx which follows will increase the understanding of teachers, therapists and students and will encourage exploration of the options they have in keeping the mechanism healthy.
发表于 2025-3-23 00:18:20 | 显示全部楼层
Vocal problems: their prevention and care,event vocal damage, however many potential singers are uninformed and unfortunately early warnings are so insidious that they are often overlooked. Hoarseness, even in the absence of discomfort, is nature’s signal to rest the voice, yet unwisely most people tend to force it to function despite this sign of overwork.
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Co-ordination, spontaneity and artistry,d they include the singer’ s personality and response to the mood and receptivity of each audience. All of these factors, and more, indicate that singing is a holistic process in which the whole is indeed more than the sum of its parts.
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