| 书目名称 | Durational Cinema | | 副标题 | A Short History of L | | 编辑 | Michael Walsh | | 视频video | | | 概述 | First history of durational cinema as such, distinguishing it from slow cinema.Cuts across the critical categories, from avant-garde film to video installation to documentary.Proposes that durational | | 丛书名称 | Experimental Film and Artists’ Moving Image | | 图书封面 |  | | 描述 | .This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol’s durational cinema of subtraction is quite different from Jacobs’s durational cinema of socialdisgust, while Lav Diaz’ durational sublime is quite different from Kevin Jerome Everson’s unblinking studies of African-American working people.. | | 出版日期 | Book 2022 | | 关键词 | Avant-garde; New York; 1960s; Video Installation; Andy Warhol; Experimental Film; European Art Cinema | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-76092-2 | | isbn_softcover | 978-3-030-76094-6 | | isbn_ebook | 978-3-030-76092-2Series ISSN 2523-7527 Series E-ISSN 2523-7535 | | issn_series | 2523-7527 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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发表于 2025-3-21 18:42:04
