Titlebook: Drama, Politics, and Evolution; Cliodynamics in Play Bruce McConachie Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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Capitalism, Tribalism, and Democracy, 1500–1960alism has been to energize the tribalistic affiliations of nationalism, evident in European and world wars from 1789 until 1945. In response, some dramatists, animated by revulsion against the Holocaust and atomic warfare and hopeful that the United Nations might be able to push for universal human

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Postwar Hegemony and the Reagan Reversal, 1945–19851980. The last section of the chapter presents evidence for the likelihood of a correlation between the shift from less to more dysphoria in horror and crime films after 1965 and widespread indicators of a decline in social cohesion over the 1950–1980 period. In terms of Whitehouse’s criteria, early

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Genes, Culture, and History in Coevolution established statistical universal predilections for our human political nature in the areas of authority, equality, homophily, and altruism. The success of the coevolutionary paradigm has led to new theoretical models in the social sciences and sparked historians to reconceptualize the foundations

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招致

Coevolution in the Pleistoceneus and species. According to Henrich and others, this process began with anatomical changes and better tools that led to cooperation in childcare and hunting, “reverse dominance” in gender relations, and a politics of prestige rather than domination. The middle and late Pleistocene saw the emergence

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Capitalism, Tribalism, and Democracy, 1500–1960ghtened” reason. Despite its embrace of natural equality, the enlightenment qualified egalitarianism along racial and gendered lines. Nonetheless, notions of natural law begin to pervade European plays and operas and are evident in ., by DaPonte and Mozart. Built upon the Cartesian dualism of nature