Titlebook: Drama and the Sacraments in Sixteenth-Century England; Indelible Characters David Coleman Book 2007 Palgrave Macmillan, a division of Macmi

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Mid-Tudor Drama and Sacramental Reform,y Elizabethan England. These texts demonstrate the ways in which post-Henrician Protestantism, drawing in some ways on the influence of Bale’s example, adopts drama as a means of promoting a reformed sacramentality and, in doing so, suggests the possibility of a reformed society and subjectivity.

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Interrogating Sacramentality: The Drama of Christopher Marlowe, and technical skills brought by Marlowe’s experience as a professional dramatist mean that this drama, unlike most of its predecessors, does not attempt to promote sacramentality in one of its various forms — rather, it interrogates the multiplicity of forms, thereby reflecting the culture’s contin

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Sinful Subjects: Shakespearean Sacramentality,mentality to a single function (the political . the spiritual, for example) loses sight of the plurality of sacramental functions in the late medieval and early modern period. This chapter, then, reasserts this plurality, analysing a trio of early seventeenthcentury Shakespearean plays — . and . — f

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https://doi.org/10.1007/978-1-4615-3246-0y Elizabethan England. These texts demonstrate the ways in which post-Henrician Protestantism, drawing in some ways on the influence of Bale’s example, adopts drama as a means of promoting a reformed sacramentality and, in doing so, suggests the possibility of a reformed society and subjectivity.

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Predefined Attribute ’Ascending and technical skills brought by Marlowe’s experience as a professional dramatist mean that this drama, unlike most of its predecessors, does not attempt to promote sacramentality in one of its various forms — rather, it interrogates the multiplicity of forms, thereby reflecting the culture’s contin

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