Titlebook: Dracula; An International Per Marius-Mircea Crișan Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Bram Stoker.The Gothic.th

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David H. Uttal,Katherine O’ Dohertya to that of Vlad III Dracula. 2) That Bram Stoker never picked a precise location for Castle Dracula. This essay attempts to demonstrate that Michael the Brave, not Vlad III Dracula, probably was the historical person Stoker hinted at while having Professor van Helsing and Mina describe the Count a

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Statistical Results from Video Tracesstablished practice in Britain (and a key characteristic of modernity) and consequently, tourism features extensively in the novel. This chapter examines a number of forms of tourism in . it examines Jonathan Harker’s journey to Transylvania as a form of business tourism; it considers various forms

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Statistical Results from Video Tracesiction, creates an enthralling experience for those fortunate enough to pilgrimage to these famed destinations. For vampire genre readers, settings span the globe, from the mountains of Romania, to the streets of New Orleans, and the rainy hills of Forks, Washington. This paper examines locales depi

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Virtues and Passions in Literaturen the works with regards to the narratives’ gender roles. . sets out on the traditional gender-role path, showing its women as the emotional being, while the Count is a businessman in control of his emotions and sure of his own identity as master of vampires and humans. In contrast, Anne Rice’s work

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,“Welcome to My House! Enter Freely and of Your Own Free Will”: Dracula in International Contexts,nfluences on Stoker’s ., continues with new insights on the context of the novel, follows the development of the vampiric myth in the twentieth and twenty-first centuries, and concludes with a synoptic study of the evolution of the gothic space. This introductory chapter argues, as well as the whole

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