Titlebook: Doubling, Distance and Identification in the Cinema; Paul Coates Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited

ARRAY

书目名称Doubling, Distance and Identification in the Cinema影响因子(影响力)




书目名称Doubling, Distance and Identification in the Cinema影响因子(影响力)学科排名




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书目名称Doubling, Distance and Identification in the Cinema网络公开度学科排名




书目名称Doubling, Distance and Identification in the Cinema被引频次




书目名称Doubling, Distance and Identification in the Cinema被引频次学科排名




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要素

Essential

Simulate

Doubling, Distance and Instruments of Perception,dis-)colouration promote a dual consciousness: the knowledge that one both ‘is’ and ‘is not’ capable of such vision, much as Francis in Egoyan’s . (1994) both ‘does’ and ‘does not’ touch. The double is implicit as the locus of a double vision. The modernist clouding of vision matches the hand’s sens

instill

Dictation

Dictation

Urban Identity and the Atlantic Worlde of this introduction, ‘neither here nor there’. For instance, although the camera’s approach to a character seems often to involve a deepening of identification, doubling, by collapsing interiority/ exteriority distinctions, reveals the reversibility and ambiguity of both scale and identification, as what is ‘here’ is also situated ‘there’.

Lipohypertrophy

树胶

https://doi.org/10.1057/9781137396693Cinema; doubling; scale; haptic; 3D cinema; identification; argue; cinema; discourse; knowledge; Plato

Adenocarcinoma