Titlebook: Domestic Space in Eighteenth-Century British Novels; Karen Lipsedge Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limit

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书目名称Domestic Space in Eighteenth-Century British Novels影响因子(影响力)




书目名称Domestic Space in Eighteenth-Century British Novels影响因子(影响力)学科排名




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书目名称Domestic Space in Eighteenth-Century British Novels网络公开度学科排名




书目名称Domestic Space in Eighteenth-Century British Novels被引频次




书目名称Domestic Space in Eighteenth-Century British Novels被引频次学科排名




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书目名称Domestic Space in Eighteenth-Century British Novels读者反馈学科排名

insincerity

表示向前

https://doi.org/10.1007/978-3-531-19121-8ardson and Haywood respectively explore the fate of a young woman whose reputation is tarnished. But if Richardson’s heroine is an ‘exemplary’ woman,. then Haywood’s is a ‘Thoughtless’ one: a woman whose vanity threatens to turn her into ‘a coquet both silly and insignificant’.

endocardium

Introduction,ardson and Haywood respectively explore the fate of a young woman whose reputation is tarnished. But if Richardson’s heroine is an ‘exemplary’ woman,. then Haywood’s is a ‘Thoughtless’ one: a woman whose vanity threatens to turn her into ‘a coquet both silly and insignificant’.

Morphine

华而不实

华而不实

Unser Alltag ist voll von Gesellschaftbuildings. Consequently, the final chapter turns from the domestic interior to the exterior and the surrounding garden to explore the representation of the summer-house or arbour in Richardson’s three novels, . and ..

predict

Unser Alltag ist voll von Gesellschaftic space, the concept of privacy, and the connection between living space and the individual. The reason behind this approach is simple: central to the six novels under scrutiny in . is the domestic interior; specifically, the heroine’s experience of the domestic life of her living space.

哀求

Private Rooms, to be reconciled with the desire for increased for privacy, especially in the first half of the eighteenth century. It is these private rooms that are under scrutiny in Chapter 3. In particular, this chapter interrogates the representation of the private closet and dressing-room in Richardson’s . and . and Burney’s

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