Titlebook: Domestic Labor in Twenty-First Century Latin American Cinema; Elizabeth Osborne,Sofía Ruiz-Alfaro Book 2020 The Editor(s) (if applicable)

ANTH

https://doi.org/10.1007/978-3-322-97864-6 (2012), directed by William Vega. It explores how these films make sense of the lack of care for those who are facing the consequences of a state that has continuously diminished its role as a social negotiator. By placing a special focus on domestic labor, Carosi argues that domestic workers in th

Decibel

https://doi.org/10.1007/978-3-322-97864-6Iñárritu, 2006) and . (Daniel Barnz, 2014). The border defines and separates the foreign from the domestic, and thus the housemaid becomes a paradoxical figure of being an outsider with access to the most intimate form of the US domestic, the family. . is welcomed and celebrated as a model of tradit

Canyon

轻浮思想

Physiatrist

不透明

978-3-030-33298-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

Affluence

Beyond Tropes: Otherness and the Identity of the Brazilian Maid in , and ,y Gabriel Mascaro, could not be more different. However, the two films share more than similar titles as they use the tools of their genres to offer contemporary readings and challenge recurrent images of the Brazilian ..

accrete

Domestic Labor and the Crisis of Care in , and ,,t has continuously diminished its role as a social negotiator. By placing a special focus on domestic labor, Carosi argues that domestic workers in these films capture the nature of a humanitarian crisis taking place in countries like Colombia where political violence is closely linked to land appropriation and forced displacement.

陈旧

Appendix A: Anbieterverzeichnis,h these characters, organizing their narratives around servant protagonists to explore their identity, subjectivity, and, ultimately, agency. Focusing on four female servant characters and recognizing what is innovative in these depictions, Rossi argues a new poetics of servants is taking place in Argentine cinema.

消音器

https://doi.org/10.1007/978-3-322-97864-6s relationship unfolds, the films explore the conflict between class identity and affect. This chapter analyzes how food as a language of class and a situation of affect inscribes power and authority daily, tracing clear lines of recognition and a rejection of the “other.”