Titlebook: Doing Memory Research; New Methods and Appr Danielle Drozdzewski,Carolyn Birdsall Book 2019 The Editor(s) (if applicable) and The Author(s)

Canvas

The Art of Memory After Genocide: Reimagining the Images of the Places of Pain and (Be)longing,wledgement of ‘ordinariness’ and individuality of those who have posthumously been put into collective categories, mass graves and war statistics, or elevated to the abstract status of the nation’s martyrs.

figment

Participatory Methods and Community-Engaged Practices for Collecting, Presenting, and Representing s broader and deeper significance together using these methods. The widely democratic nature of memory, place-based knowledge, and place attachment offers possibilities for understanding these phenomena and their intersections in new ways.

gastritis

Community Memory Mapping as a Visual Ethnography of Post-War Northeast England, museum embodies the imagination of place and of local/non-local memory construction, as it prepares to ‘reassemble’ and exhibit a terrace of prefabricated concrete houses removed from Kibblesworth in the new 1950s town.

Spirometry

Advancing Memory Methods,es—mapped and digital. We summarise the contributions, explicating how they push traditional methodological boundaries in their engagement with multisensorial and embodied memory-work, and use memory places through mapping and digital media.

Hangar

脱离

Using Emplaced Ethnography, Mobility, and Listening to Research Memory,lookers. On 5 May, sounds and atmospheres (cf. Sumartojo 2015) were recorded at one of Holland’s biggest ‘freedom festivals’, named Bevrijdingspop, in Haarlem. We highlight how by paying more attention to the sounds (and images) rather than solely to text, we better understood the role they played in the co-constitution of commemorative spaces.

miracle

借喻

HAIL

Reading-in-Place and Thick Mapping the Venice Ghetto at 500,e maps make our reading practices visible and engage the multidirectional movement of the historical, literary, and contemporary memories of ghetto spaces through what we term a process of reading-in-place; we visually represent the trauma, nostalgia, memorials, and histories that are encoded on the pages of literary narratives.

包租车船