Titlebook: Documentation, Disappearance and the Representation of Live Performance; Matthew Reason Book 2006 Palgrave Macmillan, a division of Macmil

calamity

Flatter

Jeffry M. Diefendorf,Janet Wardious sections. Writing does not bear a direct mimetic relationship with the world and cannot claim mechanical objectivity, audio/visual completeness or documentary transparency. However compromised such assertions may be in relation to photography and video, writing about performance is evidently mu

adroit

痛得哭了

debase

http://image.papertrans.cn/e/image/282336.jpg

obnoxious

nonsensical

concentrate

h emphasis on the transformative impact of video, photography and writing, this book explores the ideological, practical, and representational implications of knowing performance through its documentations.978-1-349-54603-9978-0-230-59856-0

脱毛

Logik der Differenz — Logik des Austauschesve performance. The flexibility, economy and unsurpassed reproducibility of photography means that this continues to be the case today, more visible and widely reproduced than any other medium of performance representation.

Left-Atrium

Transnationalism and the German City bad practice. This chapter, by contrast, pursues more speculative possibilities of good practice, identifying and describing instances where writing does begin to represent something of the experience of live performance.