Titlebook: Documentary Film Festivals Vol. 2; Changes, Challenges, Aida Vallejo,Ezra Winton Book 2020 The Editor(s) (if applicable) and The Author(s),

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https://doi.org/10.1057/9781137319159the festival circuit, distribution, TV broadcasting, online circulation, regionalism, event platforms, festival competitions and premieres, film access, funding schemes, industry developments and economically sustainable business models for documentary distribution in the age of the Internet.

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Transnational Identities and the Mediacultural environment—created in the shadow of the San Sebastian International Film Festival, and coexisting with younger documentary festivals in Spain—he analyses the multi-layered identity of Zinebi, historically focused on the promotion of Basque, Spanish and Latin American filmmakers.

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Book 2020llenges. Contributors from across the globe reflect on how documentary has positioned itself within both internationally renowned and more alternative festivals, including IDFA (Netherlands), Cannes IFF (France), Sheffield Doc/Fest (UK), Dockanema (Mozambique), Ismailia (Egypt) and Zinebi (Basque Co