Titlebook: Documentary Comics; Graphic Truth-Tellin Nina Mickwitz Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Comics.documentary.do

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2634-6370 the persistent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary amb

旧式步枪

Mri485

The Truth-Claims of Images,uted by, its use of recording technologies unites otherwise plural, and at times competing, positions in documentary studies. But as is the case with animated documentary, the idea of documentary comics undercuts such an assumption.

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Book 2016ivity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary ambition to visually narrate and represent aspects and events of the real world.

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火花

谆谆教诲

History in the Making: Comics, History, and Collective Memory,on, archival material and testimony function as rich sources for documentary that has past events as its subject. This suggests a two-way relationship between documentary and historiography; documentary as an inscription of history and history as a subject for documentary.

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Book 2016tent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary ambition to v

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978-1-349-55895-7The Editor(s) (if applicable) and The Author(s) 2016