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Titlebook: Divine Play, Sacred Laughter, and Spiritual Understanding; Patrick Laude Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2

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发表于 2025-3-21 18:35:12 | 显示全部楼层 |阅读模式
书目名称Divine Play, Sacred Laughter, and Spiritual Understanding
编辑Patrick Laude
视频video
图书封面Titlebook: Divine Play, Sacred Laughter, and Spiritual Understanding;  Patrick Laude Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2
描述This study in the relationship between religion and the comic focuses on the ways in which the latter fulfils a central function in the sacred understanding of reality of pre-modern cultures and the spiritual life of religious traditions. The central thesis is that figures such as tricksters, sacred clowns, and holy fools play an essential role in bridging the gap between the divine and the human by integrating the element of disequilibrium that results from the contact between incommensurable realities. This interdisciplinary and cross-cultural series of essays is devoted to spiritual, anthropological, and literary characters and phenomena that point to a deeper understanding of the various mythological, ceremonial, and mystical ways in which the fundamental ambiguity of existence is symbolized and acted out. Given its interdisciplinary and cross-cultural perspective, this volume will appeal to scholars from a variety of fields.
出版日期Book 2005
关键词comic; essay; religion
版次1
doihttps://doi.org/10.1057/9781403980588
isbn_softcover978-1-349-53173-8
isbn_ebook978-1-4039-8058-8
copyrightPalgrave Macmillan, a division of Nature America Inc. 2005
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and the Divine Treasure,nd I wanted to be known, therefore I created the world.” This . (a tradition transmitted by the Prophet of Islam in which the Divinity speaks in the first person) includes, in a way, the whole metaphysical doctrine of the relationship between the Absolute and the relative, and it may, as such, const
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Dionysus, Shiva, Osiris,a paradox. As much as it may be so, an understanding that the One may “become” many and that the many may “reveal” the One is at the core of the metaphysical outlook. It must be admitted that the expressions of this understanding cannot but be, on some level, a challenge to the discursive faculty an
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Coyote and Kin,cans. It is important to beware, at the outset, that this folklore is oral, which means that it is subject not only to personal transmission and transformation, but also to rules and traditions that define its domain of manifestation and application. In other words, Coyote’s stories are neither a ri
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,Reading the Trickster’s Footsteps,e phenomenon as a grotesque release from the pressures and structures of normative society. Along this line of interpretation, the fact is highlighted that American Indian societies are characterized by very strong and stern social and psychological imperatives that make it necessary to integrate a
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Spiritual Laughter,cause she has been enticed by Uzume’s dancing,. her curiosity having being aroused by the other gods’ laughing at the dance. This is an archetypical example of laughter as “divine mirth,” a mirth that is also readily expressed by Uzume’s merry dance. It is worth noting that some versions of the myth
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