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Titlebook: Distributed Creativity; Thinking Outside the Vlad Petre Glăveanu Book 2014 The Author(s) 2014 collaborative creativity.creative expression.

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发表于 2025-3-21 19:27:14 | 显示全部楼层 |阅读模式
书目名称Distributed Creativity
副标题Thinking Outside the
编辑Vlad Petre Glăveanu
视频video
概述Introduces a basic framework for the study of distributed creativity.Draws on systemic models of creativity and studies of creative collaboration as well as on cultural psychological sources and recen
丛书名称SpringerBriefs in Psychology
图书封面Titlebook: Distributed Creativity; Thinking Outside the Vlad Petre Glăveanu Book 2014 The Author(s) 2014 collaborative creativity.creative expression.
描述.This book challenges the standard view that creativity comes only from within an individual by arguing that creativity also exists ‘outside’ of the mind or more precisely, that the human mind extends through the means of action into the world. The notion of ‘distributed creativity’ is not commonly used within the literature and yet it has the potential to revolutionise the way we think about creativity, from how we define and measure it to what we can practically do to foster and develop creativity. Drawing on cultural psychology, ecological psychology and advances in cognitive science, this book offers a basic framework for the study of distributed creativity that considers three main dimensions of creative work: sociality, materiality and temporality..Starting from the premise that creativity is distributed between people, between people and objects and across time, the book reviews theories and empirical examples that help us unpack each of these dimensions and above all, articulate them into a novel and meaningful conception of creativity as a simultaneously psychological and socio-material process. The volume concludes by examining the practical implications in adopting this 
出版日期Book 2014
关键词collaborative creativity; creative expression; cultural psychology of creativity; intrinsic creativity;
版次1
doihttps://doi.org/10.1007/978-3-319-05434-6
isbn_softcover978-3-319-05433-9
isbn_ebook978-3-319-05434-6Series ISSN 2192-8363 Series E-ISSN 2192-8371
issn_series 2192-8363
copyrightThe Author(s) 2014
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发表于 2025-3-21 21:37:30 | 显示全部楼层
,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,buted creativity. While extended mind and distributed cognition theories share the assumption that psychological processes don’t take place solely inside our heads, they continue to reproduce an unproductive dichotomy between the ‘internal’ and ‘external’ world. In contrast, cultural psychological v
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Why do We Need to Distribute Creativity?,usly socially, materially and temporally distributed. Several theoretical and practical consequences of adopting a view of creativity as a distributed process are presented. These concern the definition of creativity, current dichotomies between celebrated and mundane creations, the role of individu
发表于 2025-3-22 17:07:24 | 显示全部楼层
https://doi.org/10.1007/978-94-010-1636-0 and acts from dialogue and debate regarding their meaning and their value. Ultimately, creativity is a social act even when performed in solitude. This is because creators work with other people in mind and, during their activity, they necessarily place themselves as ‘others’ in relation to their own developing creations.
发表于 2025-3-23 00:25:49 | 显示全部楼层
https://doi.org/10.1007/978-3-319-70632-0ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.
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https://doi.org/10.1007/978-94-010-1636-0ed quality of what it means to act creatively in and on the world. The example of how research on craft activities can help us unpack important ideas regarding distributed creativity is discussed, as well as the general organisation of the book.
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