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Titlebook: Dissent and Marginality; Essays on the Border Kiyoshi Tsuchiya (Deputy Director) Book 1997 Palgrave Macmillan, a division of Macmillan Publ

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https://doi.org/10.1007/978-1-4757-0049-7., writes the theme for a discussion of marginality and the literary responses to AIDS.. She says: ‘My wish is that every subject’s encounter with the death drive might become in time more of an everyday occurrence — that the typical male subject, like his female counterpart, might learn to live wit
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The Concise Encyclopedia of Statisticsesting paper on ‘being a feminist philosopher in a British University’. The first question after the paper came from a very eminent male professor, who, bypassing the quite complex arguments she had presented, said ‘All right then, what would . do if you were the Academic Vice-President of a Univers
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https://doi.org/10.1007/978-0-387-32833-1e, neither known nor unknown. They are where change takes place, and certainties are questioned’. In the case of the American frontier, we might add that ‘frontiers are neither old nor new’, and in the case of popular American mythology, we might describe frontiers as places ‘where self-definition a
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https://doi.org/10.1057/9780230608948undred years and scientific discourse only giving focused treatment of the child in the last one hundred years, children seem to have had a marginal existence at best within the Western textual tradition. Peter Laslett’s familiar quote bears repeating: ‘these crowds and crowds of little children are
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https://doi.org/10.1057/9780230608948on, a textuality of motion. For in its search for reality, mind also migrates. It, too, travels, transgresses, tropes — Greek . means to transfer — and so meets itself at every turn. Thus travel and homelessness become in one metaphor compact. This, I claim, is the labour of spirit in our postmodern
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978-1-349-25938-0Palgrave Macmillan, a division of Macmillan Publishers Limited 1997
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Friends on the Fringe: A Further Assessment of Nude Prophesying in Early Quakerism, nude body, vested with profane as well as sacred symbolism. Naked and dressed bodies in religious imagery being paradigmatic transcriptions of sin and innocence. An ambivalence towards human nakedness which stems of course from the Biblical narrative of the Fall. Indeed Christian doctrine has, from
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