Titlebook: Displacements; Reading Space and Ti Alison Butler Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Film.Popular Music.Functio

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2634-6133 e specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works. ..978-3-030-30463-8978-3-030-30461-4Series ISSN 2634-6133 Series E-ISSN 2634-6141

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Book 2019on and conflict. Paying close attention to the ways in which moving imagesinteract with the specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works. ..

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Introduction: Here and Elsewhere,ilmmakers have migrated into the gallery from independent cinema and artists have taken up the moving image, new forms have emerged between the institutions of the cinema and the gallery. Using works by Eija-Liisa Ahtila, Apichatpong Weerasethakul and Steve McQueen as examples, this chapter makes th

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Time Machines and Other Assemblages,seful in three ways in considering moving image installation: the term can be used to describe the internal organisation and realisation of an individual work, the media forms it utilises, and the wider cultural systems it engages with. This flexibility makes it a useful concept through which to und

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War Zones,. Mark Boulos’s installation . (2008) and Richard Mosse’s . (2013) and . (2017) are immersive installations that generate new perspectives on distant conflicts and our relationships to them. The discursive works . (2012) and . (2013), by Hito Steyerl, trace links between the battlefield and the art

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The Essay Installation,w essayistic forms have been adapted for spatial presentation in museums and galleries. My examples include the exhibition, ., held at the Haus der Kulturen der Welt in Berlin in 2013 and the three-screen film . (Naeem Mohaiemen, 2017), both of which deal with the Non-Aligned Movement during the Col