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Titlebook: Disnarration and the Unmentioned in Fact and Fiction; Marina Lambrou Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 disnar

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发表于 2025-3-21 16:41:28 | 显示全部楼层 |阅读模式
书目名称Disnarration and the Unmentioned in Fact and Fiction
编辑Marina Lambrou
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概述Provides the first systematic study of the form, uses and functions of disnarration across a range of factual and fictional storytelling genres.Describes the lexico-grammatical structures of disnarrat
图书封面Titlebook: Disnarration and the Unmentioned in Fact and Fiction;  Marina Lambrou Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 disnar
描述In this book Marina Lambrou explores the dimension of narrative storytelling described as ‘the disnarrated’ – events that do not happen but which are referred to – across three genres of texts: personal narratives; news stories; and fiction (literary and film). The book begins by asking why such disnarrated narratives are nevertheless considered tellable. It moves on to examine the pervasiveness of this phenomenon in news reports about “near misses” and the shared personal narratives about dangerous experiences, where “truth” is expected to be central their telling. It further discusses how disnarration is generated in counterfactual “what if?” scenarios in fiction where characters follow alternative, forked paths with fascinating unexpected consequences. This engaging work offers original insights to anyone interested in storytelling and will appeal in particular to scholars of language and literature, stylistics, narratology, media, film and journalism..
出版日期Book 2019
关键词disnarrated narratives; counterfactual; Narratology; media discourses; oral narratives; News media; Possib
版次1
doihttps://doi.org/10.1057/978-1-137-50778-5
isbn_ebook978-1-137-50778-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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发表于 2025-3-21 22:54:17 | 显示全部楼层
Telling Stories,iated with the discourse of storytelling. A discussion of the purpose of telling stories as a social activity and a closer look at the characteristics of narratives, such as the importance of causation and the presence of Trouble with a capital ‘T’, will provide further insights to contextualise the
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Conclusion,nge of factual and fictional texts and understand why disnarrated modes of storytelling are so pervasive in all genres of storytelling. Analysis of experiential, personal stories, news and fictional narratives suggests there is a discourse of disnarration, while counterfactual divergence triggered b
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Book 2019referred to – across three genres of texts: personal narratives; news stories; and fiction (literary and film). The book begins by asking why such disnarrated narratives are nevertheless considered tellable. It moves on to examine the pervasiveness of this phenomenon in news reports about “near miss
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