Titlebook: Discourses of Slavery and Abolition; Britain and its Colo Brycchan Carey (Published in association with the Book 2004 Palgrave Macmillan,

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Space-Strike Arms and International Securityave), with the claim that: ‘the following brief history of the cruel wrongs and sufferings endured by this innocent victim of the accursed system of apprenticeship may be relied on with as much confidence as the “Narrative of James Williams”’.. The text referred to was ... This incidental remark con

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https://doi.org/10.1007/978-1-349-18675-4orary readers. Referring to African American texts, Olney points out that although slave narratives do not necessarily ‘qualify’ as either autobiography or literature, the African American literary tradition may be traced back to slave narratives, in theme, content, and form.. Olney’s observations r

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How to Create a Culture of Innovation?ify precisely either what its participants thought they were doing or what their aims were, but only to summarize the ultimate result of their efforts. Historically, what matters is the . the dismantling of one of the greatest institutional evils of modern history. At the time what mattered was the

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Metehan Feridun Sorkun,Meltem Onayand amusement’, and recent critical attention has turned towards the multiple and disparate forms of ‘cultural work’ children’s books can do.. Children’s literature might reflect or maintain dominant ideologies, but it might also shape or undermine dominant ideologies, by offering children ‘tools fo

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Die vernetzte Konsumgüterbrancheng and contestatory conversation about the slave trade.. ‘The Grateful Negro’ has evinced a variety of contradictory textual interpretations, even in discussions that make use of much of the same supporting material. George Boulukos, for example, has argued persuasively that Edgeworth was a ‘Iukewar

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Wissensorientiertes Performance Measurementuired one of the most extensive and colourful critical histories of any of Turner’s paintings.. As was often his practice, Turner attached a verse-tag, which he wrote himself, to the painting’s entry in the exhibition catalogue. Along with the lengthy title, the verse-tag, to which I shall return be

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Introduction defended this ‘glorious and advantageous Trade’ as ‘the Hinge on which all the Trade of the Globe moves’.. To Britain and its colonies in the mid eighteenth century, commerce was simultaneously the foundation of liberty, power, and refinement. Slavery was something of a paradox: an enormously profi

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‘Candid Reflections’: The Idea of Race in the Debate over the Slave Trade and Slavery in the Late Eit ‘the anti-slave trade position relied more heavily on appeals to racial similarity than slavery advocates relied on appeals to racial difference’.. This view is supported by the work of Philip Curtin who comments that ‘Men most connected with the slave trade, and even the West Indian planters … we

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Abolishing Romance: Representing Rape in f eighteenth- and nineteenth-century slavery in North America. The deployment of such contexts arguably illuminates our desires for the text to perform ideological work in late modernity as much as, or more than, the categories it explores itself.. Sometimes described as an ‘imperialist’ text, . is